Deni Bonet
![]()
"Well, if this doesn't make you grin, you must be dead!" - this was Deni Bonet's quote during the recording of Bigger Is Always Better, Deni's brand new debut album. Sure, we all have problems in our lives, but Deni's philosophy is - why wallow in misery when music's great ability is to take us beyond life's trivia? And if you can laugh at your own problems, well, that gives you the right to laugh at other people's too!
Lilith Fair artist Deni Bonet is a classically trained violinist who traded in her black recital clothes for a pair of go-go boots and an electric blue violin. She quit the classical world early in her career because she hated having to wear black and sit still! Deni has either recorded or performed with REM (most recently as a special guest on their UP! tour), Sarah McLachlan, Chris Whitley, Daniel Lanois, Gravity Kills & Robyn Hitchcock amongst many others. She was an original member of the cast of the nationally syndicated radio show, MOUNTAIN STAGE; singing and performing in her own right and accompanying guests on the show - anyone from Richard Thompson to the Indigo Girls to Warren Zevon to Allen Toussaint. Deni left the show to pursue a solo career, deciding that West Virginia was not a hotbed of alterna-pop activity, and with a mission to prove that there is more to the violin than concertos and hoedowns!
Performance highlights for her own band include showcases at CMJ, Intel, SXSW, NXNE, Bumbershoot and taking her act on the road with Lilith Fair. Her band has performed at Lilith Fair, to amazing reviews, with most reviewers picking her as the standout act on the outside stages. In 1998, Deni had a hugely successful show at SXSW. On a bill that included John Hammond, Kathy Mattea, and Robyn Hitchcock, she won over the sold-out audience and earned herself a standing ovation. This precipitated an immediate invitation to play at NXNE in Toronto, with a full-page preview in NOW! Magazine. She has been a regular at Intel (with a nice mention in Entertainment Weekly) & CMJ festivals in New York, at Bumbershoot in Seattle and has become an in-demand act, headlining various festivals along the Eastern seaboard.
Deni's music is best defined by the term alterna-pop. As the Wall Street Journal (that renowned rock newspaper!) suggested, think "Sheryl Crow meets the B 52's" and you'll be close. The Music Paper described her as like "Debbie Harry fronting the Dave Matthews Band". A constant thread runs through Deni's songs infectious grooves, stinging, ironic lyrics and a pop/alternative sensibility, which doesn't have a problem with melody, so long as the attitude is right. All this while still managing to keep her tongue planted firmly in her cheek. She is really fun, and has great songs, which has meant airplay on WDST, Woodstock; WXPN, Philadelphia & WBCR, Brooklyn and many other stations, which cover the range of modern rock, college and AAA formats. In fact WDST loves Deni's first EP so much that they continue to play it over four years after its initial release. Her demo tape was cited by Mike Mills of REM in Mojo Magazine as one of the three things he is listening to at the moment.
She has toured independently in the U.S. opening for Patti Smith, Lisa Loeb, Cracker, Midnight Oil, The Tubes, Marshall Crenshaw, Robyn Hitchcock, The Beautiful South, The Nixons, Luka Bloom, and The Bogmen. Her two visits to Turkey have provided some great photo opportunities and, of course some wonderful musical moments playing at a major international festival in Istanbul, in clubs around the country (including "Manhattan" in Ankara!) and an unplugged session at the major rock radio station in Turkey.
For additional information, music & video samples and purchase details for the debut album Bigger is Always Better, please visit Deni's website.
"I play a Barcus Berry electric violin, which looks and plays like a real violin, because it is, in fact a real violin. To each their own, but I prefer to shock people with the way in which the instrument is played rather than with it's appearance. I personally don't want to play something that looks (and sounds) like a Klingon
battle-cruiser! The Barcus Berry sounds the most like a violin of any I've tried and as a player on a major, national radio show (Mountain Stage) I was given many to try. It takes effects really well, doesn't feed back unless you want it to, but a really great feedback can be coaxed from it, if that's the effect you're going for. As you might guess, I'm a Barcus Berry endorser.
I use a variety of Boss stomp boxes, combined with a Roland ME-5 that I've had for years. Generally, I use effects sparingly, and during recording, unless I'm playing to a particular delay, I prefer to record the violin dry and have the effects added later as you can always add an effect, but you can't take one away if it doesn't work in the track. Also, most rack mounted studio effects are superior in quality.
For amplification, I have a few amps - A Yamaha G100 for massive stages, a G50 for most mid-size stages and a Fender Pro Junior for small clubs. The Yamaha amps have a lovely warm tone but are very heavy. The Fender is a little harsher, but is really light and easy to throw in the back of a New York cab. Also, as it's a little brighter, it definitely cuts and keeps up with the guitarists in my band!
One word of warning. The impedence of most violin pickups does not match well with effects, DI boxes, amps and in particular, wireless transmitters, which are designed for guitar pickups. Hence the characteristic, "bee-in-a-can" sound as my soundman likes to
call it, that you hear from many electric violinists. You may want to find a local electronics guru to help you find a matching transformer for whatever you're plugging into."
Homepage: http://www.denibonet.com
Discography
"Bigger Is Always Better"
(The debut album)Lie, Lie, Lie, Lie (.ram | .mp3)
The Goddamn Violin Solo (.ram | .mp3)
"Phat & Stoopid EP"
"E.P."
Deni Bonet Greatest Hits
Deni Bonet Greatest Hits, Vol. 2
Deni Bonet Live At The BudokanAppearances with Other Artists
Moss Elixir, 1996, with Robyn Hitchcock
Mossy Liquor, with Robyn Hitchcock
Solace, 1992, with Sarah McLachlan
The Path of Thorns (Terms), 1993, with Sarah McLachlan
Manipulated, 1997, with Gravity Kills
Living with the Law, 1991, with Chris Whitley
Cathy's New Clown, with John Wesley Harding
One Step Up/Two Steps Back-The Songs of Bruce Springsteen, 1997, with Ben E. King
Best of Moun Stage Vol. 1, 1991, with Larry Groce & The Mountain Stage Band
Best of Mountain Stage Vol. 2, 1991, with REM/Robyn Hitchcock/Michelle Shocked
Best of Mountain State Vol. 3, 1991, with Warren Zevon/Sarah McLachlan, The Fabulous Twister Sisters
Best of Mountain Stage Vol. 4, 1992, with Allen Toussaint/Tracy Nelson
Best of Mountain Stage Vol. 5, 1993 with Kevin Welch
Best of Mountain Stage Vol. 8, 1995, with John Gorka
Women-Live from Mountain Stage, 1996, with Victoria Williams
Texans,-Live from Mountain Stage, 1995, with Sara Hickman
Upfront! Canadians-Live from Mountain Stage, with Sarah McLachlan
Louisiana-Live from Mountain Stage, 1996, with Allen Toussaint
Celtic Music-Live from Mountain Stage, with Luka Bloom
Christmas at Mountain Stage, 1994, with Larry Groce & the Mountain Stage Band/Michael Martin Murphey/Mike Seeger
?!!? (Chinese Title), with Lin Chung (Bruce Lee's cousin)
Camouflage, with Iain Matthews
Highway to Nowhere, with Rod McDonald
Blang!, 1999, with Lach
What's That I Hear-The Songs of Phil Oaks, 1998, with Agnelli-Rave & the Charmers/Pat Humphries
Confetti!, with Lauren Agnelli & Dave RAve
One Hundred Million Reasons, with Stark Raven
Learning to Fly, with Stark Raven
Fuzzbuddy, with Fuzzbuddy![]()